Weekly Toyo Keizai - SNSD & KARA's Japan Promotion Plan - July 31st Issue
Universal Music Japan’s CEO Koike Kazuhiko discusses his promotion plan for KARA and SNSD in Weekly Toyo Keizai (A Business Journal).
“They have good looks and great singing abilities. It's a waste to keep them just in Korea, so they should sell in Japan as well.“ Major record company Universal Music’s CEO Koike Kazuhiko, in addition to being the company president, he praises Korean girl groups KARA and SNSD in this way. He seems confident in giving both of these girls from his company success through full-blown promotions, which will begin this summer.
(omitted)
(Traditionally), for foreign artists to succeed in Japan a moderate level of Japanese skill was essential, unless they were top class artists. However, that’s not really the case now.
Speaking frankly President Koike said, we'll decide which promotion method to use depending on the artists' characters. Whether that means mainly doing activities in the Japanese market, or using a similar promotion method to the one we use for artists from Western countries doing activities mainly outside Japan. Discussed above, KARA has looks like Japanese idols and their Japanese songs should be easily accepted. Japanese was studied enough for them to be active in the center of Japan.
He explains that, SNSD and KARA are completely different, their appeal as “real-deal artists” is a profitable plan, and that Japanese ability isn’t really necessary when using the same promotion techniques as western music.
Translated by: Kanki@Soshified.com
Source: Weekly Toyo Keizai
“They have good looks and great singing abilities. It's a waste to keep them just in Korea, so they should sell in Japan as well.“ Major record company Universal Music’s CEO Koike Kazuhiko, in addition to being the company president, he praises Korean girl groups KARA and SNSD in this way. He seems confident in giving both of these girls from his company success through full-blown promotions, which will begin this summer.
(omitted)
(Traditionally), for foreign artists to succeed in Japan a moderate level of Japanese skill was essential, unless they were top class artists. However, that’s not really the case now.
Speaking frankly President Koike said, we'll decide which promotion method to use depending on the artists' characters. Whether that means mainly doing activities in the Japanese market, or using a similar promotion method to the one we use for artists from Western countries doing activities mainly outside Japan. Discussed above, KARA has looks like Japanese idols and their Japanese songs should be easily accepted. Japanese was studied enough for them to be active in the center of Japan.
He explains that, SNSD and KARA are completely different, their appeal as “real-deal artists” is a profitable plan, and that Japanese ability isn’t really necessary when using the same promotion techniques as western music.
Translated by: Kanki@Soshified.com
Source: Weekly Toyo Keizai
